[Article for Toon Zone News: 30.12.06]
Ah, the good old days. Home-baked bread, kids on BMXs, Duran Duran booming out of the stereo and of course, an abundance of cheap and cheerful Filmation cartoons.
And that was just last Thursday.
For once again I'm back on the Filmation DVD box sets, and this time we're off to experience one of Filmation's more famous mainstream offerings: She-Ra Princess of Power, which in box set context has the less catchy title of She-Ra Princess of Power: Season One, Volume One.
The story? What, you don't know? Okay, imagine a world called Eternia. It is a planet swamped in magic, high technology, and simplistic morality. It is protected by a man with a magical sword, furry tights, and the most bizarre blend of blond hair and dark tan the universe has ever seen. His name is He-Man.
Imagine this world of Eternia is also a wonderful platform for selling toys to TV-fixated male kiddies for large sums of parental cash. Imagine it? You've probably experienced it at one end or the other. Yes, Eternia is a world that, among others, made a horde of toy owners and studio executives very, very happy.
Now imagine that this world requires a counterpart—particularly as Eternia's financial lifespan is coming to an end. Enter Etheria! It's a girl's world with girly magic, girly unicorns, and girly women who fight evil monsters while the girly men scrub the dishes at home. It is a good world and it's enjoyed by many, though not quite as many as Eternia was. Nevertheless it brings joy, particularly to the aforementioned toy manufacturers and studio executives.
At the center of Etheria is She-Ra, He-Man's twin sister. Perhaps to her disappointment, she hasn't quite got the tan her brother’s managed, but as compensation, she does have lots of exciting girly powers. Alongside the Princess of Power is a group of plucky freedom fighters who aim to overthrow the tyrannical Horde, a group of alien invaders who have control of Etheria. Let the battle begin!
At a basic level, She-Ra Princess of Power differs little from its sibling series. They share the same animation style, voice artists and audio sound banks; on a story level, both offer moral tales that pit honest, heroic characters against incompetent, evil monsters; and both titles offer a simple message that their viewers can contextualize to real-life situations. However, on a closer look, there is a fair bit separating the two.
First, the actual overall scenario for She-Ra Princess of Power is a little less of a fairy tale than He-Man and the Masters of the Universe. While He-Man lives in a kind and honest kingdom ruled by a kind and honest King and Queen who are occasionally threatened by some silly fool, She-Ra lives in a world of oppression where freedom is the honest man's ultimate prize. In She-Ra, there is no even playing ground between good and evil: evil won before the series began, and it's a fight to get a foothold against the towering dominance of the Horde.
Naturally, She-Ra Princess of Power avoids letting the subject of forced oppression create too much of a dampener on the cartoon fun, but it's an issue that is rarely ignored. The show takes the question of freedom and the rights of the individual very seriously, occasionally placing mature issues at the center of its episodes. "Burning Books" is one episode on this box-set that, as its title suggests, has a close parallel in recent history. "Lost for Words" is a rather literal metaphor for the voice of resistance. And "The Price of Freedom" asks how far the value of freedom truly extends.
She-Ra's other major distinction from He-Man comes in its target audience. This is undeniably a girl-oriented production, as the creators themselves attest. In fact, the show has exactly what a girl would want: a talking horse. A talking, flying horse. A talking, flying unicorn horse. A talking, flying unicorn horse with multicolored wings. As the example suggests, it's a no-holds-barred pitch at the female demographic. Adding more to the G-Factor, we have a heroine who can communicate with animals as well as heal them. Throw in a cute owl, a dotty witch and the most effeminate male sidekick cartoons have yet to see, and you have the perfect girl action cartoon. On the commentary track, staff writer J. Michael Straczynski (a familiar name to Babylon 5, Fantastic Four and Spider-Man fans) mentions that Filmation brought in consultants to help design the show, and that one of their key concerns was that the heroine not hit anyone. Sure enough, you'll rarely spot She-Ra actually attacking anyone on screen.
Wisely, though, Filmation didn't ignore their already present male fanbase, and so they incorporated the already planned He-Man toy-line "The Horde" into She-Ra. This helped balance the show's character and give it a little more male orientation. Yes, Hordak and his cronies are an excellent counterpoint to the female-focused world of She-Ra. If She-Ra and the great rebellion are the dream of girls, the dirty mess of gadgets, monsters and transforming robots can only be the boy's sandbox. This again marks an interesting contrast between the sibling shows. Where He-Man and the Masters of the Universe blended magic and technology, She-Ra Princess of Power pitted the two against each other.
The stories on this first volume of season one—a staggering 32 episodes—make for a great watch. I was most impressed by the production efforts to give Etheria its own identity. That effort is obvious visually (and if that doesn’t convince you, the 97-page PDF series bible included on the disk set should be a further clue). In She-Ra there is real internal consistency. We have a world of different kingdoms with set characters in each. As the series unfolds we get to see a little more background to some of these places and the people that inhabit them. All this supports the basic principle of the show: the fight for freedom. By giving Etheria set places, it creates a chessboard for its pieces, and the battle becomes more real. That's not to say that there is any particular arc to these established locations and characters, but this focus on consistency really helps give the theme of occupation credibility, even when the theme isn't explored to any great depth.
The stories themselves are more character-oriented than in He-Man. You'll notice a greater mix of superfluous interaction and comic interplay. I found these plot-free inserts a refreshing change of pace, though occasionally they made the stories feel a little uneven.
Episodes to watch out for? Don't skip "The Price of Freedom,” which is one of many He-Man crossovers on the box-set and certainly the most adult and challenging story of them all. If you are looking for comedy, "Gateway to Trouble" has some wonderful scenes between its guest star, Skeletor, and the evil Hordak. For gentle moral action, watch "The Stone in the Sword" or "The Peril of Whispering Woods." Of course, one cannot forget to mention the excellent five episodes that launch the series (and made up the He-Man and She-Ra movie, "Secret of the Sword"). You won't find many animated series introductions that establish a show as effectively as that story.
So what about the DVD box set itself? It's a great presentation that folds out with a richly colored panel of character images, and the disk prints themselves are beautifully rendered to match the panels that support them. The interactive DVD menus are well constructed, with some effective music loops and busy presentations. There are three different interactive menus on the six disks.
The episodes, as with Filmation's Flash Gordon recent full set release, have episode synopsis for each interactive episode selection. Furthermore, the chapter selection has a great little smattering of episode facts.
The extra disk of features is up to Filmation's usual standard. While the documentary is a fairly pedestrian affair so far as information goes, it does have an abundance of interviews from the production team and spans a decent duration. The character/location biographies are rich in both content and presentation, offering more detail than the previous Filmation DVDs I've seen.
For the CD-ROM owner, there is a fantastic wealth of PDF files, including not only the gigantic series bible but also a colouring book and the "Secret of the Sword" comic (a heavily edited adaptation of the aforementioned movie). There is also a collection of selected scripts to peruse. For the kids there is an interactive game and for the collector some artist trading cards. On top of all that you have the standard image gallery as well as a fantastic storyboard-to-episode comparison.
There are only two commentaries: "King Miro's Journey" with writer J Michael Straczynski and storyboard artist Micheal Swanigan, and "The Sea Hawk" with writer Larry Ditillio and editor Rick Gehr. The former is far more enjoyable than the latter, which is rather dry, but both are worth listening to.
Downsides? None to the box set itself, beyond the shortage of commentaries. The set is finely presented, easy to navigate, and chockfull of cool features. The stories themselves are also a solid collection. I can't even whine about the obligatory "Filmation fun" character hogging the limelight, as there is no such character in She-Ra! Yes, no Orko, Gremlin or MO. The nearest comparison is Kowl the big-eared owl, but his cynicism and smart-aleck quips at the fluff-for-brains archer, Bow, make for a true treat.
Aside from Hordak, the Horde aren't particularly amazing, but then, aside from Skeletor, He-Man's menagerie was fairly dull. Shadoweaver is just another version of Evil Lynn, though her relationship with Hordak proves surprisingly complex (see "A Loss for Words" and "The Eldritch Mist"). Imp is annoying but again has a curious relationship with Hordak. The rest are fairly forgettable, except for Mantenna. Never has a Filmation henchman had it so hard at the hand of his master.
From a production perspective, the glory of Filmation is there. There is great comfort to be found in the visual and aural predictability of stock animation and music. I would certainly buy any He-Man or She-Ra soundtrack if one were ever produced. The scores are amazingly effective and perfectly blend ambiance and action.
The biggest production hitch is with the voice artists. Their work is effective but lacks diversity. In fact, a great many are done by Filmation’s head honcho, Lou Schiemer (infamously Orko from He-Man). Unlike the pleasure found from the repetition of stock animation and music, a lack of diversity on the vocal track can be frustrating. Turn you eyes away from the screen and you'll be hard pressed to know whether that's Grizlor or a villager speaking. Sometimes the same electronic intonation is added to both, and this can be very confusing if you have the show on in the background. The stories may be fairly simple, but the lack of voices mean you have to pay attention!
Overall, this is another great Filmation box set, especially for nostalgic collectors. She-Ra is sorely under-rated, particularly beside its big brother, He-Man. That’s a shame, as She-Ra is a solid, well-written and ideology-focused universe. It might not give us any answers to our world's topical problems, but it’s a friendly reminder that freedom is something that should never be taken for granted. I think that's a message we can all appreciate, and She-Ra Princess of Power Season One Volume One is certainly an enjoyable way to experience it.